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		<title>CHIOȘC AIR: Hajnalka TULISZ [HU] în rezidență / KIOSK AIR: artist in residency participant, 14 aprilie – 10 mai 2015</title>
		<link>https://chiosc.oberliht.org/2015/04/12/hajnalka-tulisz/</link>
		<comments>https://chiosc.oberliht.org/2015/04/12/hajnalka-tulisz/#comments</comments>
		<pubDate>Sun, 12 Apr 2015 17:45:51 +0000</pubDate>
		<dc:creator><![CDATA[Anastasia]]></dc:creator>
				<category><![CDATA[rezidență / residency]]></category>
		<category><![CDATA[apartament deschis]]></category>
		<category><![CDATA[chiosc air]]></category>
		<category><![CDATA[fkse]]></category>
		<category><![CDATA[flat space]]></category>
		<category><![CDATA[Hajnalka Tulisz]]></category>

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		<description><![CDATA[- &#8211; &#8211; scroll down for English &#8211; &#8211; - RO &#8211; &#8211; &#8211; &#8211; - CHIOȘC AIR: Hajnalka TULISZ [HU] în rezidență 14 aprilie – 10 mai 2015 Între 14 aprilie și 10 mai 2015, Hajnalka TULISZ va participa la programul de rezidență artistică CHIOȘC la Chișinău, unde va ocupa Apartamentul Deschis cu scopul de [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://chiosc.oberliht.org/wp-content/uploads/2015/04/baldessari_corrected.jpg" target="_blank"><img class="alignnone wp-image-4199" src="http://chiosc.oberliht.org/wp-content/uploads/2015/04/baldessari_corrected-300x231.jpg" alt="baldessari_corrected" width="400" height="309" /></a></p>
<p><span style="color: #999999;">- &#8211; &#8211; scroll down for English &#8211; &#8211; -</span></p>
<p><strong><span style="color: #333333;">RO<br />
&#8211; &#8211; &#8211; &#8211; -</span></strong></p>
<p><strong><span style="color: #333333;">CHIOȘC AIR: Hajnalka TULISZ [HU] în rezidență<br />
14 aprilie – 10 mai 2015</span></strong></p>
<p><span style="color: #333333;">Între 14 aprilie și 10 mai 2015, Hajnalka TULISZ va participa la programul de rezidență artistică CHIOȘC la Chișinău, unde va ocupa <a href="http://chiosc.oberliht.org/apartament/" target="_blank"><span style="text-decoration: underline;">Apartamentul Deschis</span></a> cu scopul de a-și construi un adăpost, lăsînd trecătorii să intervină în spațiul ei privat. Prin acest proiect artista se va autotesta, împărtășind cu oamenii din jur locul său intim și vulnerabil pe care-l va crea într-un apartament deschis, situat în stradă.</span></p>
<p><span id="more-4197"></span></p>
<p><span style="color: #333333;">În aceste zile vă invităm să participați la următorul program public:</span></p>
<p><span style="color: #333333;"><strong>15 aprilie 2015, 0ra 18:00</strong><br />
Zpațiu (str. Al. Șciusev 103, Chișinău)<br />
– un portret al artistei de Hajnalka TULISZ<br />
Lucrarea mea de licență a fost realizată în baza unor reacții la contextul ce mă înconjura, mai ales la colegii din facultate. I-am provocat critic printr-un gînd care „duce nicăieri”, care mai curînd sau mai tîrziu va expira și ceea ce-mi place nu va mai putea fi cunoscut. Nu caut nici un răspuns, îmi place doar să inițiez o discuție despre asta. Ce înseamnă independență și autonomie în cazul unui artist? Cît de durabilă e arta „reactivă”, păstrînd distanța față de mine însămi și față de lume?</span></p>
<p><span style="color: #333333;">– proiecția unei selecții de lucrări video ale studenților și absolvenților de la Departamentul Intermedia a Universității Arte Plastice din Ungaria; mai multe detalii <a href="https://zpatiu.wordpress.com/2015/04/14/hajnalka-tulisz/" target="_blank"><span style="text-decoration: underline;">aici</span></a></span></p>
<p><span style="color: #333333;"><strong>7 mai 2015, ora 16:00</strong><br />
Apartamentul Deschis (str. București 68/1, Chișinău)<br />
– Cuibul, prezentarea finală a rezultatelor programului de rezidență artistică</span></p>
<p><span style="color: #333333;"><strong>Hajnalka TULISZ</strong> este o tînără artistă din Ungaria. Ea a studiat la Departamentul Intermedia a Universității Arte Plastice din Ungaria. În lucrările sale, precum și în felul de a privi lucrurile, ea abordează realitatea într-un mod individual și ironic. Îi place să folosească limbajul doar ca punct de plecare și-l transforme într-o lucrare de artă. Teza ei de licență întitulată Critica Inimii Pure aborda importanța lenii și inutilitatea artei.</span></p>
<p>&#8211; &#8211; &#8211;</p>
<p><span style="color: #333333;"><strong>CHIOȘC &#8211; program de rezidență pentru artiști</strong><br />
Programul de rezidență pentru artiști CHIOȘC încurajează crearea unor lucrări noi, produse în raport cu contextul și realitățile locale. El oferă posibilitatea de a explora diferite probleme ce se referă la situația Moldovei în general și de a analiza procesele care modelează astăzi spațiul public al Chișinăului.</span><br />
<span style="text-decoration: underline;"><a href="http://chiosc.oberliht.org/air" target="_blank"><span style="text-decoration: underline;">http://chiosc.oberliht.org/air</span></a></span></p>
<p><span style="color: #999999;">- &#8211; -</span></p>
<p><span style="color: #999999;">Acest eveniment este parte a programului de rezidență CHIOȘC organizat în cadrul proiectului Conectînd Cultura, Comunitățile și Democrația susținut de Fundația Culturală Europeană. Adițional proiectul este susținut de Studio &#8211; Asociația Tinerilor Artiști din Budapesta și Ministerul Culturii al Republicii Moldova.</span></p>
<p><a href="http://chiosc.oberliht.org/wp-content/uploads/2015/04/hermes_poisoned_apple.jpg" target="_blank"><img class="alignnone wp-image-4198" src="http://chiosc.oberliht.org/wp-content/uploads/2015/04/hermes_poisoned_apple-300x200.jpg" alt="hermes_poisoned_apple" width="400" height="266" /></a></p>
<p><strong><span style="color: #2f4f4f;">EN<br />
&#8211; &#8211; &#8211; &#8211; -</span></strong></p>
<p><strong><span style="color: #2f4f4f;">KIOSK AIR: Hajnalka TULISZ [HU] in residency<br />
April 14 – May 10, 2015</span></strong></p>
<p><span style="color: #2f4f4f;">From the 14th of April to the 10th of May 2015, Hajnalka Tulisz will take part in KIOSK artist in residency program in Chisinau, where she will inhabit the <a href="http://chiosc.oberliht.org/apartament/" target="_blank"><span style="text-decoration: underline;">Flat Space</span></a> with the aim to build a nest as a flat-paraphrase and invite the passers-by to intervene in her private sphere. With this she will also put herself on the test to let in and share with them the intime and vulnerable place which she created with living on an open flat situated on the street.</span></p>
<p><span style="color: #2f4f4f;">During these days we invite you to attend the following program:</span></p>
<p><span style="color: #2f4f4f;"><strong>April 15, 2015, 6 pm</strong><br />
Zpace (str. Al. Sciusev 103, Chisinau)<br />
– artist talk by Hajnalka TULISZ<br />
My graduation work was based on reactions to my actual surroundings, namely to my fellow students. I gave an thought provoking critique, that does &#8220;not lead anywhere&#8221;, sooner or later it will &#8220;run out&#8221; and it could not be known what I am really like. I have no answers, I just would like to initiate a discussion about it. What does &#8220;independency&#8221; and &#8220;autonomy&#8221; mean in the case of the artist? How timeless the &#8220;reactive&#8221; art? Keeping distance from myself or from the &#8220;world&#8221;.</span></p>
<p><span style="color: #2f4f4f;">– screening of selected works of art students and alumnus from the Intermedia Department of Hungarian University of Fine Arts; more information <a href="https://zpatiu.wordpress.com/2015/04/14/hajnalka-tulisz/" target="_blank"><span style="text-decoration: underline;">here</span></a></span></p>
<p><span style="color: #2f4f4f;"><strong>May 7, 2015, 4 pm</strong><br />
Flat Space (str. Bucuresti 68/1, Chisinau)<br />
– The Nest, public presentation of the final results of the artist in residency programme</span></p>
<p><span style="color: #2f4f4f;"><strong>Hajnalka TULISZ</strong> is a young visual artist from Hungary. She studied at the Intermedia Department of the Hungarian University of Fine Arts. In her works as well as in her thinking in general she approaches the reality with pretended independence in an ironic way. She likes to use the language only as a starting point and transforms it into an artwork. Her undergraduate thesis titled Critique of Pure Heart was dealing with the importance of lazyness, the useless and ‘usefulness’ of art.</span></p>
<p><span style="color: #2f4f4f;">- &#8211; -</span></p>
<p><span style="color: #2f4f4f;"><strong>KIOSK AIR program</strong><br />
KIOSK artist in residency program encourages creation of new work in relation to the local context and reality. It offers the opportunity to explore various issues that relate to Moldova’s situation in general and to analyze the processes that shape Chisinau’s public space today.</span><br />
<a href="http://chiosc.oberliht.org/air" target="_blank"><span style="text-decoration: underline;">http://chiosc.oberliht.org/air</span></a></p>
<p><span style="color: #999999;">- &#8211; -</span></p>
<p><span style="color: #999999;">This event is part of KIOSK artist in residency program organized in the frame of Connecting Culture, Communities and Democracy program supported by the European Cultural Foundation. Additionally, it receives support from Studio Young Artists Association, Budapest and Ministry of Culture of Republic of Moldova.</span></p>
<p></p>
<p><img class="alignnone wp-image-4041 size-full" src="http://chiosc.oberliht.org/wp-content/uploads/2015/02/mcrm_web.jpg" alt="mcrm_web" width="325" height="98" /></p>
<p><img class="alignnone wp-image-4029 size-full" src="http://chiosc.oberliht.org/wp-content/uploads/2015/02/fkse.png" alt="fkse" width="210" height="95" /></p>
<p><img class="alignnone wp-image-4028" src="http://chiosc.oberliht.org/wp-content/uploads/2015/02/ecf_logo_screen_ECF_logo_small.png" alt="ecf_logo_screen_ECF_logo_small" width="150" height="135" /></p>
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		<title>Dincolo de liniile roșii &#8211; expoziție / Beyond the red lines &#8211; exhibition, Studio / FKSE, 18 februarie 2015, ora 19:00</title>
		<link>https://chiosc.oberliht.org/2015/02/17/linii-rosii/</link>
		<comments>https://chiosc.oberliht.org/2015/02/17/linii-rosii/#comments</comments>
		<pubDate>Tue, 17 Feb 2015 19:11:08 +0000</pubDate>
		<dc:creator><![CDATA[Anastasia]]></dc:creator>
				<category><![CDATA[prezentare/presentation]]></category>
		<category><![CDATA[budapesta]]></category>
		<category><![CDATA[chiosc]]></category>
		<category><![CDATA[fkse]]></category>
		<category><![CDATA[liniile rosii]]></category>
		<category><![CDATA[studio]]></category>

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		<description><![CDATA[- &#8211; scroll down for English &#8211; &#8211; - RO - &#8211; &#8211; &#8211; - Dincolo de liniile roșii 18 februarie, ora 19:00 18 februarie &#8211; 6 martie, 2015 Studio / FKSE str. Rottenbiller 35, Budapesta Luînd ca punct de plecare proiectul pentru Bulevardul Cantemir (în trecut Bulevardul Cosmonauților) care a fost proiectat in anii [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://chiosc.oberliht.org/wp-content/uploads/2015/02/kiosk.jpg" target="_blank"><img class="alignnone wp-image-4017" src="http://chiosc.oberliht.org/wp-content/uploads/2015/02/kiosk-300x116.jpg" alt="kiosk" width="400" height="154" /></a></p>
<p><span style="color: #999999;">- &#8211; scroll down for English &#8211; &#8211; -</span></p>
<p><span style="color: #333333;"><strong>RO</strong><br />
<strong>- &#8211; &#8211; &#8211; -</strong></span></p>
<p><span style="color: #333333;"><strong> Dincolo de liniile roșii</strong></span><br />
<span style="color: #333333;"><strong> 18 februarie, ora 19:00<br />
</strong></span>18 februarie &#8211; 6 martie, 2015<br />
<span style="color: #333333;">Studio / FKSE<br />
str. Rottenbiller 35, Budapesta</span></p>
<p><span style="color: #333333;">Luînd ca punct de plecare proiectul pentru Bulevardul Cantemir (în trecut Bulevardul Cosmonauților) care a fost proiectat in anii 70 ai secolului trecut în baza master-plan-ului propus de bine-cunoscutul arhitect sovietic Alexei Șciusev dupa cel de-al Doilea Război Mondial, expoziția prezintă lucrările cîtorva artiști din Cehia, Moldova, România, Slovacia, Suedia și Ungaria (participanți la programul de rezidență pentru artiști CHIOȘC), care au petrecut cîteva săptămîni lucrînd în contextul Chișinăului marcat de procese de transformare continuă.</span></p>
<p><span id="more-4014"></span></p>
<p><span style="color: #333333;">curator: Vladimir US [MD]</span></p>
<p><span style="color: #333333;">participanți: Valeria BARBAS [MD], Angela CANDU [MD], Gruppo Tökmag (András TABORI &amp; Tamás BUDHA) [HU], Karl HALLBERG [SE], Marie LUKAČOVA și Jakub ROČEK [CZ], studioBASAR (Alex AXINTE, Cristi BORCAN, Tudor ELIAN, Maria OANCEA, Daniela PALIMARIU Andrei PRIPASU, Cristian STOIAN Ana-Maria TONI, Alexandra ȚĂRANU) [RO], Public Pedestal (Jana KAPELOVA și Michal MORAVĆIK) [SK]</span></p>
<p><span style="color: #333333;"><strong>19 februarie 2015, ora 19:00<br />
Vladimir Us &#8211; prezentare și proiecție</strong><br />
Academia Maghiară de Arte Frumoase, Departamentul Intermedia<br />
str. Kmety Gy. 27, Budapesta</span></p>
<p><span style="color: #333333;"><strong>Centrul Civic al Chișinăului – dincolo de liniile roșii</strong><br />
imagine de Ina IVANCEANU [AT] și Vahe BUDUMYAN [AM]<br />
editor: Gaëlle MEGE [FR]<br />
2013-2014 / 55′</span><br />
<a href="https://vimeo.com/111312644" target="_blank">https://vimeo.com/111312644</a></p>
<p></p>
<p><strong><span style="color: #2f4f4f;">EN<br />
&#8211; &#8211; &#8211; &#8211; -</span></strong></p>
<p><span style="color: #2f4f4f;"><strong>Beyond the red lines </strong></span><br />
<span style="color: #2f4f4f;"><strong>Febrary 18, 7 pm<br />
</strong>February 18 &#8211; March 6, 2015<br />
Studio / FKSE</span><br />
<span style="color: #2f4f4f;">Rottenbiller u. 35, Budapest</span></p>
<p><span style="color: #2f4f4f;">Taking as a starting point the project for Cantemir Boulevard (in the past the Cosmonauts’ Boulevard) that was designed in the 70s of the last century and was based on the master plan proposed by the well-known Soviet architect Alexei Shchiusev after the Second World War, the exhibition presents the works of several artists from Czech Republic, Hungary, Moldova, Romania, Slovakia and Sweden (participants in the KIOSK artist in residency program) who spent few weeks working in the context of Chisinau marked by continuous transformation processes.</span></p>
<p><span style="color: #2f4f4f;">After WWII the city got ruined to a great extend, which fact determined the authorities to redesign some of its central parts, particularly the “lower” town that still preserves a network of irregular streets and several buildings that are considered to be monuments of architecture and history, among them few churches dating from 18<sup>th</sup> century as the oldest ones. In a perspective of few decades the people living in that area had to be expropriated and a socialist type of city had to be built there. Starting with 50s, according to this plan, the Youth Boulevard was built in place where the old market used to be, thus cutting the old town in two parts and a significant number of blocks of flats were erected in the central part of the city. Cantemir Boulevard was supposed to develop further this plan so that in 1972 its first segment connecting Gagarin Boulevard and Cosmos hotel with Ismail Street was built. The main argument for its construction invoked by the authorities was the need to fluidize the car traffic through the city center.</span></p>
<p><span style="color: #2f4f4f;">Due to certain economic difficulties encountered during Perestroika period and following the dissolution of the Soviet Union the Cantemir Boulevard was never finalized, though it has been included in the new General Urban Plan adopted in 2007 under the democratic leadership.</span></p>
<p><span style="color: #2f4f4f;">The consequences that the construction of Cantemir Boulevard might have on the life of Chisinau inhabitants, once it would be built, determined the artistic and architecture community in Chisinau supported by sociologists and other professionals to raise publicly this issue and to look for an alternative.</span></p>
<p><span style="color: #2f4f4f;">curator: Vladimir US [MD]</span></p>
<p><span style="color: #2f4f4f;">participants: Valeria BARBAS [MD], Angela CANDU [MD], Gruppo Tökmag (András TABORI &amp; Tamás BUDHA) [HU], Karl HALLBERG [SE], Marie LUKAČOVA and Jakub ROČEK [CZ], studioBASAR (Alex AXINTE, Cristi BORCAN, Tudor ELIAN, Maria OANCEA, Daniela PALIMARIU Andrei PRIPASU, Cristian STOIAN Ana-Maria TONI, Alexandra ȚĂRANU) [RO], Public Pedestal (Jana KAPELOVA and Michal MORAVĆIK) [SK]</span></p>
<p><span style="color: #2f4f4f;"><strong>February 19, 2015, 6 pm<br />
Vladimir Us &#8211; presentation and screening</strong><br />
Hungarian Academy of Fine Arts, Intermedia Department<br />
Kmety Gy. str. nr. 27, Budapest</span></p>
<p><span style="color: #2f4f4f;"><strong>Chisinau Civic Center – beyond the red lines</strong><br />
image by Ina IVANCEANU [AT] and Vahe BUDUMYAN [AM]<br />
edited by Gaëlle MEGE [FR]<br />
2013-2014 / 55′</span><br />
<a href="https://vimeo.com/111312644" target="_blank">https://vimeo.com/111312644</a></p>
<p><span style="color: #2f4f4f;">One of the issues raised by the artistic and architecture community in Chisinau is the construction of Cantemir Boulevard. Designed in 70s by Soviet architects, it was just partially built. However this boulevard is still present on the official Chisinau General Urban Plan even if its longest part was not yet constructed, two decades after Republic of Moldova proclaimed its independence from Soviet Union and its consequent dissolution. Taking this as a starting point, as a leading thread, a group of artists, architects and researchers were invited to Chisinau to participate in a residency program and in a conference, and contribute to a publication – to work on this issue and to share similar experiences that could enrich the understanding of this particular situation and reveal new forms of criticism and protest. The result of this collaboration turned into a series of participatory art works involving Chisinau inhabitants and opening new public spaces for culture and civic engagement in the areas where Cantemir Boulevard was planned to be built.</span></p>
<p><span style="color: #2f4f4f;">The film Beyond the red lines documents these collaborations and interactions that took place in 2013 in the frame of Chisinau Civic Center – beyond the red lines project (curated by Vladimir US).</span></p>
<p><span style="color: #2f4f4f;">This film was produced in the frame of Chisinau Civic Center – people’s park program: <a href="http://chisineu.wordpress.com/proiecte/ccc-parc-comunitate/" target="_blank">http://chisineu.wordpress.com/proiecte/ccc-parc-comunitate/</a></span></p>
<p></p>
<p><img class="alignnone wp-image-4029 size-full" src="http://chiosc.oberliht.org/wp-content/uploads/2015/02/fkse.png" alt="fkse" width="210" height="95" /></p>
<p><img class="alignnone wp-image-4028" src="http://chiosc.oberliht.org/wp-content/uploads/2015/02/ecf_logo_screen_ECF_logo_small.png" alt="ecf_logo_screen_ECF_logo_small" width="150" height="135" /></p>
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